Core Crew
William Blundell - Director
I am a highly motivated and driven creative with strong communication and interpersonal skills. Most recently, I directed Dear Dad, a deeply personal project that allowed me to bring together everything I love about filmmaking — thoughtful storytelling, strong visual language, and close collaboration with cast and crew.
The experience reinforced my passion for the entire creative process—from early concept development and pre-production, to leading the shoot, and shaping the final piece in post. Whether directing talent, managing a set, or refining an edit, I bring care, clarity, and energy to every stage of production.
Dear Dad also gave me the chance to explore themes that matter to me, and helped me grow as a filmmaker who is committed to telling honest, emotionally resonant stories.
Stephen Timney - Head of Sound
Film is at it's best when creatives come together to make something that connects with it's audience, in this case, specifically relating to divorced dads and giving them a voice.
My role for the film was Head of Sound. While camera work is my strong point, I chose to take on sound to challenge myself and develop new skills as a sound operator and mixer.
I'm pleased to have had the opportunity to make something with a great purpose that will hopefully effect the audience in a positive way.
Megan - DOP & Writer
This film will always hold a special memory with me. Being able to give my father and many others out there a voice, and a chance to not feel alone in this experience.
Working on this film has provided me with multiple lessons, especially in managing authentiity within a story and keeping something true while having to make certain changes and risks for the sake of production that could alter that. But we as crew members did our very best to keep the story as it is. Real.
Lauren Massey - 1st AD
'Dear Dad' was a labour of love to divorced parents that really touched my heart from the very first concept, and I'm sure it will for many other people.
I enjoyed seeing the original idea come to life with thorough planning, exploring locations and breaking down the script to see exactly what we needed to make this film happen.
This project also expanded my horizons as I have never worked with child actors before, which was a highlight of my experience!
I'm really proud of what we've made and Dear Dad's message about men's mental health will be everlasting.
Bethany Curtis - Producer
Working on Dear Dad as the producer has been an insightful and invaluable experience for me. When I first heard about the story, I knew this storyline was something that I wanted to produce. I believe it’s important to shed light on the mental health issues fathers may have during divorce. Within the world of film, men’s mental health is rarely addressed, I felt it was important to produce a film that was highlighting this underrepresented theme.
Being able to produce a film that was based on a real story, was a privilege, I wanted to make sure that I could honour the people who the film was based on and give them the chance to have their voices and story heard. I hope people who watch this film, feel like they have been seen and heard and whoever relates to this storyline can reach out and not be afraid to speak about their experiences.
Working on Dear Dad has been amazing, the final outcome for the film has exceeded my expectations. I hope this film reaches its target audience and its message will be heard and listened to.
Cameron Stewart - 1st AC
When I first read the script for Dear Dad, I immediately fell in love with the concept and was moved by the fact that it’s based on a true story. I was genuinely excited for the opportunity to be a part of the project. As someone passionate about the camera department, I was thrilled to be offered the role of First Assistant Cameraman. Contributing to the visual storytelling, helping to convey the film’s emotions and message through the lens, has been an incredible honour. This experience has taught me many essential skills for my future and has significantly boosted my confidence in my chosen field.
Charles Balchin -
Production Designer
As the production designer for dear dad I was instrumental in making the film seem as authentic and as realistic as possible in the sense of making audiences believe it was shot during the early 2010s. I was happy to see the original plan and idea come to life and provide nostalgia to everyone on set and everyone viewing it in post.
Furthermore, this film also managed to take me out of my comfort zone as I had never worked as a production designer before and I believe I did everything I could to make it as good as possible.
Harrison Butler - Editor
As the editor of Dear Dad, I helped shape its emotional impact and narrative flow. The film explores the male perspective on divorce and men's mental health. Topics that are often overlooked. Through thoughtful pacing, sound design, and visual storytelling, I worked to highlight the vulnerability at the heart of the story and create space for meaningful conversation.
I believe the outcome has been very successful and I hope that everyone who goes and watches this film is made aware of the male side of divorce and the struggles that come with it.
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